March 23, 2012
As the internet rapidly changes how we view visual entertainment, Chris Dorr looks at movie theater screens as the final frontier.
We are in the midst of a vast transformation driven by the Internet that is radically changing how we view visual entertainment. Every screen we use daily, be it a phone, a computer, a tablet or a TV is hooked up (or about to be hooked up) to a high speed data network that sends us moving images. These images will continue to come to us at a faster rate, at a higher quality and at a much lower cost as each day goes by.
This rapid innovation comes from a thousand different sources; from individuals who are known and unknown, from companies big and small and some companies that are old and some that started in a bedroom or garage a few months ago. It is driving the change so well documented by the many bloggers who post on the Future of Film Blog. This change is reshaping many parts of the film world and creating opportunities for filmmakers and film lovers.
Yet there is one screen that is not getting connected, where there is little innovation and where the future is being delayed. The industry (the major movie studios) that controls this screen restricts innovation and is holding off the future. I am, of course, referring to the last screen to be connected to the Internet—the screen at your local movie theater.
There was another piece from Business Week entitled For Small Theaters, the Digital Future Is Dark that covered the same topic and contained the following paragraph.
“For the past decade, Hollywood’s biggest studios have been working on a new standard for digital movies that could save them $1 billion annually in printmaking fees and shipping costs. The movies in the new format are shipped on hard drives that hold hundreds of gigabytes of data and are connected to a super-high-definition projector. To unlock a movie, the distributor sends the theater a code that controls where, when, and how long it can be played.”
I urge you to read this carefully again and focus on this phrase “movies in the new format are shipped on hard drives…”
Hard drives? Are you kidding me?
At a time when companies in every major industry in the world ship vast amounts of highly sensitive data via the Internet, the major studios ship their precious cargo on hard drives?
What makes this even more insane (and yes insane is the right word) is that these hard drives require a very expensive digital projector and a cumbersome key system to unlock the movie. At a time where digital innovation is driving costs down in data storage, memory and processing speed all over the world, the movie studios have found a way to keep costs up and suppress digital innovation.
If there were a vibrant market for true innovation in the movie theater business the cost of digital projection would immediately drop. What costs $70,000 today (and is already outmoded, as it relies on hard drives) could be dramatically lowered and rely on the Internet for its mode of transport.
The innovation in movie theaters should mirror the innovation that is taking place with every other screen in our lives. Simply put, movie theaters need to use the multi directional, fully distributed network called the Internet to facilitate connection inside and around the movie experience.
Movie theaters need to use the Internet to get movies, show movies, connect to their customers, connect movie creators to moviegoers and connect moviegoers to each other.
For the sake of finding the possibilities inherent in this simple proposition do the following thought experiment: imagine every experience that could occur in a movie theater if the movie screen was as connected as your smart phone, tablet, TV or laptop.
Some of those possibilities would breed chaos. Others could create new consumer interactions that would reinvigorate the movie theater experience.
Let me know your thoughts.
Share on email Email